From the moment Pablo Picasso and Georges Braque met in 1907 during a studio visit, the two became fast friends. Over the next 7 years they experimented with new painting techniques, resulting in the formation of the Cubist movement. Braque is quoted as saying, “We were like mountain-climbers roped together.” They worked closely together to push the other's boundaries and create a bold new artistic vision.

B-Dos and I met on Discord in 2018 and quickly fell into chatting everyday, sharing demo ideas, tampering with Ableton, and making memes. A digital Braque meets Picasso.

B-Dos's sound design is a force to reckon with. I remember the first time I heard his song 'Goodbye' it felt like my mind was a scratched CD skipping around inside the Walkman of my consciousness. He does unspeakable things to synthesizers with every release, each time helping take electronic music to terrifying new heights.

For 'Frontier' we worked together to make a genre-bender, equal parts music and exploration. I don't think I could re-make half of the sounds in this song again if I spent the rest of my life on it. This release landed us on Spotify's 'Creamy' playlist alongside other electronic music experimenters.

This is the fifth song on my album Last Chance At Life. Each song is part of a larger story in which three friends leave a ravaged Earth behind in search of a new planet.

On 'Frontier' the crew ventures through caves on their new planet in search of carbon-based materials to sustain their future. To read the full story, go here: https://www.houndtrack.com/last-chance-at-life

Each song on the Last Chance At Life album has its own artwork created by Leonardo Silva (@itwasleo on socials) and mastered by Lukas Turza of Snap Mastering.